Chapter X
Jondo on the Piano Began on the Alameda: A Special Tribute to Currito el de la Jeroma, the All-Round Artist
Homenaje especial a Currito el de la Jeroma, el artista total
Published on 8 October 2026


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Who was the first to play deep flamenco —lo jondo— on the piano?
When I began researching and planning this series of micro-stories, conceived to accompany my historical walk through the Alameda de Hércules, I never imagined how many times I would cross paths with Currito el de la Jeroma.
From the very first moment this all-round artist stepped into my way, the protagonist of several chronicles and articles by professional historians of flamenco.
The reach of his figure is incredible: he even appears at the parties of artists’ families on the Alameda, and I have the privilege of knowing some of his descendants personally.
That is why writing chapter number ten for him seemed perfect to me: a round number, just as the flamencos of Jerez called him —«reondo», round, complete.
With this chapter I close the Chronicle of the Alameda de Hércules. In ten instalments we have travelled through the neighbourhood before the art and the reasons why flamenco flourished here and nowhere else; the dance academies and the salones de recreo that gave way to the cafés cantantes; the guitar, the cante, the first recordings and even the flamenco piano. The Sevillian School of dance deserves a chapter of its own: I will devote a special to it later on.
This work aims to be a tribute to all the artists of that golden age, and my mission is to share it. I hope it has opened the memory of many and the appetite of others for the history of flamenco. But history is truly felt when you walk it: join me on my walk, a personal and sensory route, to understand why it happened here and why it was so prolific.
Thank you to so many researchers and chroniclers of flamenco: without their work, this series would not have been possible.
I dedicate this chronicle to the grandsons and granddaughters, great-grandchildren and great-great-grandchildren of all those who left their mark and their knowledge where flamenco lived its splendour, on the Alameda de Hércules.
If this chapter has sparked your curiosity, come and walk it with me.
See the route
© 2026 Daniela Caminos / Juncal Flamenco Artes & Producción